Utopian domestic worlds by Chris Bogia by Layla Leiman Color, form and texture are three vital adjectives for New York artist, Chris Bogia. Inspired by the world of interiors, textiles and decor...
To touch without touching: playfully manipulated monumentality in the work of Olivia Bax by Christina Nafziger London based artist Olivia Bax creates large-scale, sculptural forms that are bold both in color and in presence. Many of her sculptures pos...
Lindsey Mendick: on being honest and fragile, and her work – leaky and grotesque by Layla Leiman Lindsey Mendick is frank; about sex, body politics and the trials and tribulations of working with clay. Lindsey’s sculptures are unruly ...
Love and devotion, over and over again by Scott Anderson by Christina Nafziger Scott Anderson’s work creates a fresh visual language with whispers from late modernism masters such as Robert Rauschenberg and Francis Baco...
Fuzzy forms and surface detail: in conversation with Sophie Larrimore by Layla Leiman Sophie Larrimore paints dogs. The hound that romps through almost all of her current paintings is a boisterous standard poodle. Despite the ...
Stumbling blindly to find the way: in conversation with Charlie Roberts by Layla Leiman Charlie Roberts likes to keep things fresh. Working in a range of media from acrylic to gouache to wood carving, his approach to making art ...
Breaking the rules of anatomy with Akos Ezer by Christina Nafziger Throughout art history, the figure in painting has been reinvented time and time again. If you are an artist whose work focuses mainly on th...
Painting, illustrating and designning with Kellen Hatanaka by Christina Nafziger Painter, illustrator, and designer Kellen Hatanaka creates artwork that is an amalgamation of his many creative pathways, using elements of ...
Zoe Nelson: The (im)possibility of fully inhabiting my own fluidly gendered body by Christina Nafziger The paintings of Zoe Nelson contain a curious collection of objects—fragments and pieces that evoke a sentiment of wonder and intrigue. Satu...
Everyday megalomania(!): in conversation with gallerist Kim Savage of FOLD Gallery by Layla Leiman Kim Savage got his start in the art world where many aspire to end up – at the international powerhouse that is Saatchi Gallery. Cutting his...
‘A world post-disaster’ in the work of Timothy Hoyt by Christina Nafziger Purple, moonlit skies, mysterious castles, and red-eyed bats are just some of the imagery that makes up the dramatic paintings of Timothy Ho...
On male sensuality: In studio with Kyle Vu-Dunn by Layla Leiman The male figures in Kyle Vu-Dunn’s paintings are all curves. Their lithe and limber bodies seem to melt and merge with one another. The colo...
