Yes, but… Ambiguity and multiplicity in Anna Schachinger’s work by Maria Zemtsova For Austrian-Ecuadorian artist Anna Schachinger, painting is an intricately intertwined process of balancing conceptual and intuitive impuls...
Gut feel: In conversation with guest curator Scott Ogden by Maria Zemtsova For artist-turned-gallerist Scott Ogden, the curatorial journey has always been led by the heart (with support from the head). “I first star...
“Stripped down and made strange”: Towards an ambiguous visual language in the semiotics of Alice Tippit’s graphic paintings by Rebecca Irvin Chicago-based artist Alice Tippit creates bold paintings that translate familiar forms into a visual language of stark shapes, symbols and c...
Exploring adoration, worship, heightened awareness and erotic sensuality through the body-inhabited objects of desire with Katherina Olschbaur by Rebecca Irvin Katherina Olschbaur’s painted figures exist in a state of constant flux. Refusing to settle in a singular, fixed body, they flit between sex...
The individual psyche and the collective unconscious: Igor Hosnedl’s pursuit of mythic truths by Rebecca Irvin For his imagery of urns, severed limbs, cut fruit, tangled plant tendrils, dinnerware, celestial forms and allegorical animals, Czech painte...
World perspectives and the female experience: In conversation with Sarah Thibault by Maria Zemtsova For the past year, artist Sarah Thibault has been living out of a suitcase while traveling the world. Born in Minneapolis, she’s made an art...
Hard-edged vibrant fantasy land by Emily Ludwig Shaffer by Layla Leiman The Argentinian writer and blind bibliophile Jorge Luis Borges wrote that “If space is infinite, we may be at any point in space. If time is...
“My heart still flutters”: In conversation with guest curator Brigitte Mulholland by Maria Zemtsova Thirteen years into her art career and Brigitte Mulholland is as excited and passionate about her work as ever. “Years in and my heart still...
Consciousness and unconsciousness, spontaneity and consideration, relationship and emotion…in the work of Nazim Ünal Yilmaz artmazemag Nazim Ünal Yilmaz Lives and works in Vienna, Austria @nazimunalyilmaz AMM: What inspired you to be an artist? When did yo...
“I’m a people watcher”: Nettle Grellier by Layla Leiman Languid, intertwined figures are a feature of UK based artist, Nettle Grellier’s paintings. In these scenes of repose and leisure, intimacy ...
Theresa Daddezio: ‘architecture that contains the human body through an embodied concept of time and place’ artmazemag Theresa Daddezio Lives and works in Queens, NYC. www.tmdaddezio.com @theresadaddezio AMM: What inspired you to be an a...
“What a wonderful thing to fall”: In conversation with Guglielmo Castelli by Layla Leiman The figures in Italian artist Guglielmo Castelli’s paintings seem to float, suspended between disappearing into and emerging from the muted ...
Painting as contact sport: In conversation with Danica Lundy by Layla Leiman A couple recline on the bonnet of a car. We see them through the windshield, their backs and shoulders pressed up against the glass. Their p...
“Three-dimensional dioramic objects”: The many-layered paintings of Ben Jamie by Maria Zemtsova In the works of London-based artist Ben Jamie, the abstract and the figurative are coextensive. The fluid forms expressed in his paintings t...
“I am my own tool”: Weaving and materiality in Ann Cathrin November Høibo’s work by Layla Leiman Weaving is central to Ann Cathrin November Høibo’s art. It is the main medium that she works in, but also a spatial metaphor used to create ...
Enigmatic architecture in the paintings of Matt Kleberg by Maria Zemtsova Texas-born painter Matt Kleberg was, in the early stages of his artistic career, initially drawn to imagery of the American South that figur...
