Delivering art to a non-exclusive audience through freely accessible curated content at KubaParis by Rebecca Irvin Berlin and Bonn-based curatorial duo Nora Cristea and Saskia Höfler-Hohengarten run KubaParis, an artistic platform and creative space withi...
The everyday uncanny: Painter Johnny Izatt-Lowry’s defamiliarising of the familiar by Rebecca Irvin Johnny Izatt-Lowry takes images and objects from the quotidian world of daily existence and transplants them onto the plane of the subconsci...
Ebb and flow: In conversation with Loren Erdrich by Layla Leiman Water is a paradoxical element. It flows in the direction of least resistance, but as it does it slowly works on the environment, smoothing,...
Interior landscapes: In conversation with Kimo Nelson by Layla Leiman Landscape art, once chiefly the domain of the picturesque, has gained a new urgency and political charge in recent times as the world grappl...
Uncovering the fluidity of the human animal: the shifting states and worlds of Kinga Bartis’s paintings by Rebecca Irvin Hungarian Transylvanian-born artist Kinga Bartis creates vivid, dreamlike landscapes inhabited by figures both ethereal and carnal. Having i...
Kaleidoscopic vision in Isabella Cuglievan’s textile-inspired abstract paintings by Rebecca Irvin Lima-based painter Isabella Cuglievan weaves together a palette of vibrant yellows, turquoise-blues, deep purples and burnt oranges to creat...
Repetitive loops and endless possibilities: the virtual cartoon dream-world of Bridget Mullen’s paintings by Rebecca Irvin For New York-based artist Bridget Mullen, the most important aspect of making art is the making itself. Painting, as Bridget sees it, takes ...
“When I paint I must lose myself without knowing the way”: In conversation with Tal Yerushalmi by Layla Leiman Like an archaeologist, Tal Yerushalmi sifts through the debris of history, the remnants of past societies – artefacts and fragments of craft...
Ethan Stuart: Playing with history and memory, symbols and metaphors by Layla Leiman Ethan Stuart’s paintings are deceptively simple. Flora and fauna feature in many of his compositions, where acrylic paint or crayon is appli...
Showing up: In conversation with Matt Haywood about the importance of being open to process by Layla Leiman Working from a studio housed in a 150-year old refurbished barn outside Detroit, Michigan, Matt Haywood has given himself over to the proces...
Like looking through the window of a moving car: In conversation with Claudia Keep by Layla Leiman Landscape painter Claudia Keep shies away from the grandiose and the impressive, the main attraction and picture postcard view. Instead, wha...
The subtle dynamism and asymmetrical symmetry of Angela Heisch’s geometric paintings by Rebecca Irvin New York-based artist Angela Heisch began her journey into painting working under the influence of surrealist artists such as René Magritte,...
A garland of associations, family stories, and unfortunate coincidences in the work of Siggi Sekira artmazemag Siggi Sekira Lives and works in Vienna, Austria www.siggisekira.com AMM: What inspired you to be an artist? When did you ...
Anthropomorphic femme fatale: The surreal work of Alicia Adamerovich by Layla Leiman The anthropomorphic shapes and forms that characterise Alicia Adamerovich’s work undulate between rounded and organic and sharp and brittle....
Surrealist Natura Morta: In conversation with Charlie Goering by Layla Leiman “If anyone had told me back in 2017 that I would be making small still lifes, I would have called them nuts,” says painter Charlie Goering. ...
Merging memory and interior reflection with visual and aural references in the work of Painter James Owens by Rebecca Irvin Having spent his childhood in north Yorkshire and the Cotswolds, painter James Owens moved to London at 18 years old to study at Camberwell ...
